LIQUID PLAN, combines an audiovisual, plastic, sound and performative experience around the liquid and affectable nature of the human body and water in its solid, liquid and gaseous states, its scarcity, evaporation and spillage. It presents a daily life devastated by catastrophe and by the passing of a dilated time that erodes and deteriorates materials and bodies. Both the resolution and the physical, aesthetic and technical treatment proposed seek to generate a degree of perceptual immersion that involves both performers and spectators in a human/objectual tide that dissolves the shores of these categories in its dragging. The mode of audiovisual capture proposed, investigates an innovative form of registration to generate interaction between dance and cinematography, seeking to provoke a new perceptive experience of reception with regard to the usual formats of presentation in dance, using the camera as the eye of a spectator who travels the scene in 360 degrees, turning continuously to capture the volumetry of the bodies and space, in a single sequence shot of 39 minutes long that accounts for the experience of the performance.