ANALYTICAL CONVERSATIONS : WORKING in FOCUS > 2 of 2
Thursday, NOVEMBER 7, 2024 – 11:00 a.m. (11:00 a.m. Argentine time):00 ARGENTINIAN TIME (ENGLISH)
VIRTUALvía Zoom + YouTube L IVE
Group conversations with artists who participated in the immediate previous edition, to deepen conceptual approaches and personal methodologies at the time of composing an action. Discursive interweaving of exhibitions, review of clips and other visual documents.
Soufïa Bensaïd
Soufïa Bensaïd – Seeing
SYNOPSIS
Video portrait series, 2023
First portrait series exhibited at the Vaste et Vague Gallery, Quebec, 2023 This work is inspired by an online exercise developed during the confinement crisis. The practice facilitated inner connection and authenticity in our relationships. In a dehumanizing and alienating online environment, these encounters demonstrated how videoconferencing can be a wonderful bonding factor.
The invitation is simple: look at your own selfie (on a large anchored screen) and put the attention on your own eyes, and see what happens. The practice is experienced with the presence of 2 or 3 zoomed-in witnesses, holding space and observing the humanity of this intimate process. This is an interesting perspective on the nature of action, that of seeing and revealing, or not, oneself; and the action of nature, that of diving in and receiving what we simply are.
The experience lasts 5 minutes for each participant.
A 6min video, excerpt of 17 video portraits, in what I call an Omega THRESHOLD where subtly and tangibly the eyes suddenly see/perceive oneself. “the action of nature”. We witness a shift in consciousness where the other sees. or not. a pure, authentic, human encounter with Oneself.
BIOGRAPHY
Soufïa Bensaïd is a Tunisian-Canadian interdisciplinary artist. She was lucky enough to cross multiple cultures and social, professional environments between Tunisia, France and Canada, where she lived 20 years. Her art lies at the intersection of performance art, writing, drawing, movement, poetry, video, relational aesthetics, installation, site-specific action. Her path invited her to question the gaps of perception within different cultures and the foundations of existence. Her migratory and nomadic situation made her ask herself: How to relate, to unify all the different systems of reference? Being in relation/in relation-to, present-with is at the basis of her work. Her movement practice and then her hearing loss invited her to perceive how present, authentic relationships open a field of consciousness that facilitates transmission in a basic, attuned and unifying dimension.
Since 2009, she has presented exhibitions, performances, workshops, actions in public and virtual space, publications, artistic residencies in North America, Europe, India and Tunisia. He created in 2022 “It’s The Moment”, an artistic residency in nature on the north coast of Tunisia, a laboratory of artistic life dedicated to all disciplines, to make, or not, and to be.
Kuba Falk
Kuba Falk – Embracing the void
SYNOPSIS
The artist approaches the place where an old tree has been cut down. Standing next to the root, he stretches out His arms opened to embrace the empty space formerly occupied by the tree. He remains in this position for ten minutes….
BIOGRAPHY
Kuba Falk (b. 1984), intermediate artist and performer, creates and performs “body tales”, as he calls performative actions performed in various formats, through which he combines work with spoken text and especially from the areas of ecofeminist thought, mythology and rituals. He uses gestural provocation, juxtaposing the practice of the paradigm of care with the reality of technocratic dystopia.
Falk also creates sculptural objects and installations, referring to nature. He studied Acting and Dramatic Art Direction at the Academy of Theatre Arts, Intermediate at the Academy of Fine Arts and Comparative Religious Studies at the Jagiellonian University, in Krakow, Poland. Exhibited at Grace Space Exhibition, New York, USA, Baryshnikov Arts Center, New York, USA, West Hollywood Library, Los Angeles, USA, The Watermill Center, Long Island, USA, Kunst in der Natur Festival, Wachtberg, Austria, Carbonarium Festival, Kiev, Ukraine, Grey Space Gallery, The Hague, The Netherlands.
Tzu Chi Yeh
Yeh Tzu-Chi – Wind sonata
SYNOPSIS
It is a performance in which the artist makes herself invisible and lets the wind, leaves, clouds and sunlight show in time. The audience “sees” the willpower, endurance and concepts of the artist. As Time passed gradually, the leaves fluttered several times, the sun came and went, light and shadow moved back and forth, and after a lot of leaves floated, the artist’s body was gradually revealed from the head. It turns out that this is not only a wind sonata, but also a wind sculptural Spectacle.
However, in addition to the beautiful natural forces mentioned above, another dark natural force was also perceived at the same time! As the artist was about to get up to finish the work, she found that She was flaccid, dizzy and photophobic. At this moment, she realized that people are actually very fragile, and it is impossible to push them for too long! This experience reminded her of the victims who were trapped in buildings collapsed by landslides or earthquakes! Nature can be magnificent and beautiful, but it can also be dangerous and extinct!
As for the girls’ talk with the audience, at first I thought it would ruin the work, but I must admit that when I felt more and more isolated, lonely and bored among the leaves, their youth and energy, which waxed and waned like a tide, became a very important power of companionship.
BIOGRAPHY
Yeh Tzu-Chi grew up in Taipei and now lives in Tainan. He had majored in Western literature, and had been an editor at a monthly literary magazine, a full-time English professor at a junior college, as well as a freelance teacher translator and writer before turning to performance art in 2002.
Since then she has been invited to participate in international performing arts festivals/events in different countries such as Japan, Korea, Philippines, China, Myanmar, Thailand, Indonesia, Singapore, Poland, Slovakia, Hungary, Finland, Israel, Croatia, Canada, Mexico, USA, Germany, Switzerland, Chile and Argentina. In 2003, she founded ArTrend Performance Group to promote performing arts in Taiwan. She has headlined five ArTrend International Performing Arts Festivals, four live events of In Love with Poetry, several performance art and published six documentary catalogs.
Her performance is largely inspired by her experience and observation of life as a woman, and sometimes she tries to draw inspiration from reading. She has a wide range of themes, various forms and performs in an unlimited number of venues. In her performance, she often combines her own body, process, environment, and audience with minimalist ready-mades to form a time-based art as well as Arte Povera.
After 20 years of live performance practice, she is now still active in the field and tries to find opportunity to show her documents, videos and photos to the public.
John G. Boehme
John G. Boehme – Tailings
SYNOPSIS
Canadian artist John G. Boehme in a “dirty protest” at the site of the proposed gold mine in Northern Ireland I have tucked into a tiller’s lunch covered in gold leaf, watering it down with a large glass of Goldschlager
A Canadian artist traveled to Northern Ireland yesterday to present plans for a proposed mine. Dalradian is seeking permission to extract billions of gold and silver from the Sperrins for the Over the next 20 years, he says it will create hundreds of new jobs and follow strict environmental standards. But more than 10,000 people have sent letters to the government opposing Co Tyrone’s planning application Fears for the health and natural beauty of the rural community, related in part to the use of cyanide.
As part of a protest against the Canadian firm’s plan, John G. Boehme dug a hole in the ground, before placing a table and chair in it. He then dug into a tiller’s lunch covered with gold leaf, washing it down with a large glass of Goldschlager. Boehme then did his thing in the hole and pulled the dirt on top of his waste and then walked away after creating some “boggy” soil.
He said, “In Canada, where I’m from, there is a movement back to the land. The land is very important to our identity and to who we are as people.” We have to honor the land we are on.to the idea of short-term resource exploitation, but also with effects for generations to come.” I chose Greencastle for my focus because the company involved is Canadian, and so, being Canadian, I thought, You know, there was a connection there. “The history of the site and the history of the people is incredible. I’ve been researching this place for months, and I learned a lot.
“I thought I would do something fun and also direct,” he added. “Eating gold highlighted the idea of excess. Right now there’s already excess gold in the world – why do you need more?” I wanted this to be site-specific, rather than a gallery situation, because I wanted to be in an environment that exemplified the region and allow people to connect with the work as a community.”
Boehme’s work has been exhibited in Canada, Australia, America, Europe and China. The performance in Greencastle was sponsored by BBeyond as part of their ‘Citizengage – Ecology + Performance Art Project’. Many thanks to Canadian artist John G. Boehme, Bbeyond Belfast and their project ‘Citizengage – Ecology + Performance art’.” In Canada, where I am from, there is a back to the land movement. The land is very important to our identity and who we are as people. We have to honor the land we are on. I started researching this company and the history of mining in general and was attracted to the idea of exploiting the resources in the short term, but also with effects for generations to come…. The history of the site and the history of the people is incredible.”
BIOGRAPHY
John G. Boehme identifies as a cisgender white male of German and Scottish descent in Victoria, British Columbia, Canada, the ləkwəŋən-speaking homeland of the Esquimalt, Songhees peoples. John is an artist and educator, teaching Performing Arts, Ceramics and Sculpture as an ongoing professor in the Visual Arts Department at Camosun College. His early artistic practices included painting, sculpture, performance, video, digital technology, installation and photography. Boehme describes recent work as “transdisciplinary,” often employing performance, video, audio and objects in some pieces simultaneously; Boehme is not limited to any particular creative mode and thus uses integrated approaches to making work. John continues to have exhibitions and screenings and participates in festivals in Canada, Australia, America, UK, Europe and China.
Thursday, NOVEMBER 7, 2024 – 11:00 a.m. (11:00 a.m. Argentine time):00 ARGENTINIAN TIME (ENGLISH)
VIRTUALvía Zoom + YouTube L IVE
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